Early homeruns such as these gave the rookie firm an aura that suggested it could do no wrong. And institutional investors stung by a decade of mediocre venture returns were ready to buy the Andreessen Horowitz story. By the time it raised the most recent $1.5 billion fund, Andreessen Horowitz was able to command an almost-unprecedented 30 percent “carry,” according to one of Andreessen Horowitz’s limited partners. (The 30 percent is a maximum on a sliding scale). A venture fund’s “carry,” or “carried interest,” is the share of a fund’s profits the partners get to keep for themselves after they return the initial capital invested, and it is typically only 20 percent. A 30 percent carry is almost obscene. Or rather it would be if the six main partners at Andreessen Horowitz hadn’t recently pledged half of their future venture income to charity. For them, it is not about greed. It is about defying convention.
Everyone here introduces themselves as an “entrepreneur.” It’s as if they hand out the title at the airport when you arrive. “Welcome to San Francisco, you are now an entrepreneur! Which start-up T-shirt would you like?”
(via Disruptions: Looking Beyond Silicon Valley’s Bubble - NYTimes.com)
it would be helpful to escape the echo chamber of Silicon Valley and relocate to New York. Today New York has plenty of startup infrastructure in terms of funding and engineers, but it also has millions of creators and experts and consumers in fields beyond tech.
Dropbox and Github, which you mention as shining examples of ad-alternatives, are great companies that solve real, widespread problems and have real, sustainable business models. But I’m afraid “too many ads on Twitter” or “a slightly too restrictive developer API” are not actual, widely-held problems, and that Kickstarter-type donations aren’t a sustainable business model for a massively scaled social network.
"Dalton Caldwell, you should move to New York and re-rethink app.net by Michael Waxman
‘Digg was an innovator in one important way…[it invented an] ad system that was truly native to the experience.’
At its heart, filmmaking is an art that mostly starts with an idea about people and how unpredictable they are as they navigate the world. In that unpredictability lies all the surprise and magic.